Q. Good day, Noiz! We appreciate you taking the time to speak with us. The first thing we want to know is how would you describe your sound to someone who’s never heard your music before?
A. I would describe my sound to someone who’s never heard my music before as someone who makes music that’s driven by emotion and atmosphere. For me, it’s less about chasing a specific sound and more about capturing a feeling—whether that’s vulnerability, nostalgia, or intensity. I like to create songs that feel cinematic, like they could soundtrack a late-night drive, a quiet moment of reflection, or a memory you can’t let go of. My voice is always at the core of what I do, and I use it to tell stories that are both personal and universal. The production around it is meant to give space, warmth, and texture so the listener can really sit inside the mood of the song. At the end of the day, I want people to feel connected to the honesty in my music. It’s about letting listeners step into my world, but also leaving enough room for them to find their own experiences in it.
Q. Is there a specific song in your catalog that you feel defines who you are as an artist? Why that one?
A. A specific song in my catalog that I believe defines who I am as an artist is “Hotel Room,” which is the direction I’m headed in. But I feel like who I am as an artist is a story that’s nowhere near over. It grows with every song, every visual, and every release. If I could give an honorable mention, I would say “Flowers” is a fan favorite.
Q. If you could collaborate with any artist, living or dead, who would it be and why?
Q. What's the biggest risk you've taken in your career so far, and what did you learn from it?
A. The biggest risk I’ve taken in my career so far is definitely dropping out of school to focus on this full-time. I’ve learned that you have to lose to win and that it’s okay to be behind for a little, as long as you have an end goal and are constantly working towards it. To me, it’s all about the day-to-day, just step after step, to keep moving, you know?
Q. If this interview was the last thing someone read before listening to your music, what would you want them to know?
A. If this interview was the last thing someone read before listening to my music, I would you want them to know to feel it and allow themselves to be fully immersed in it. My music is an experience for people with tasteful palates. Lastly, I would say, welcome to the show.
