A. To someone that has never heard my music, I would describe my sound as diverse. I can be turnt, I can be chill, I can sing, I can rap. The most important thing when it comes to me and my sound is the swag I put behind it. I tell people I make real swag music. I make music you can get lit to, dance to, and really makes you feel like you’re that guy or that girl. I want to bring back that SWAG in music because I feel like it’s gotten watered down over the years. When people hear my sound, I want them to know, “Oh yeah, that’s Sev (sevsarc) on that track.”
Q. Is there a specific song in your catalog that you feel defines who you are as an artist? Why that one?
A. A specific song in my catalog that I feel defines who I am as an artist is a song that’s actually on my upcoming album called “MoreThanTwice.” Like I stated in my previous answer, I want to bring that swag aspect back, and that song defines it. There’s also a message behind it, though. These promoters are going to have to book me because I’m not going away. I’m entering this music industry, and I’m showing why I’m here to stay, so booking me once and being done is not going to cut it—you’ve got to book me more than twice.
Q. If you could collaborate with any artist, living or dead, who would it be and why?
A. If I had the opportunity to collaborate with any artist, living or dead, I would choose two artists. Alive, I’d pick Lil Uzi Vert. I’ve been listening to Lil Uzi Vert since 8th grade; he’s the imprint—one of the pioneers of why some people dress like they do, sound like they do, etc. It would for sure be a collab to remember if me and him got in the booth. As for a deceased artists, I would have loved to collaborate with, I’d have to say Aaliyah. I shouldn’t really have to explain this if you know, but if you don’t, you just have to do your homework. I’ve watched documentaries, though, and Aaliyah was really ahead of her time. Her work ethic was always there, she never complained, and she was amazing. I really wish that was one artist who was still here that I could have worked with.
Q. What's the biggest risk you've taken in your career so far, and what did you learn from it?
A. The biggest risk I’ve taken in my career so far was when I recently performed at my first show. That was one of the biggest risks alone because I’m finally stepping out of my comfort zone and taking this with a full head of steam. From my first show, I did learn a lot—mainly about having more energy. Next time I go on that stage, my energy will be at an all-time high.
Q. If this interview was the last thing someone read before listening to your music, what would you want them to know?
A. If this interview was the last thing someone read before listening to my music, I would want them to know to psych the **** out. For real though, everything is about energy. If you understand it and you know how to transmute your energy, you could be the angriest person in the room, hear or play my music, and feel better after.
